Yes, “Ancient Aliens” Did Just Have an Episode on the Civil War

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I bet you missed it, didn’t you? How lucky you are. As I sit down to write this, I am indeed still wondering if fortune smiled down upon me whilst I was looking through the channels for programs to DVR and saw an Ancient Aliens episode flip across the scene, and somewhere, my brain caught the words “Civil War”. Ha! I thought. It must have just been something else. That is how my eyes saw it. As I continued to scan, I decided to go back, and sure enough there was the episode from this latest season titled, “Aliens and the Civil War”. I gasped. I laughed. Then, I cried. I decided to save it for a later date so I could sit there, laptop in hand, and devote my entire attention to a minute-by-minute blog of what was going on during the show. It was in 2011 when I took this same approach, after stumbling on “Aliens and the Old West”. It was this episode which tried to argue that Harrison Ford’s newly released Cowboys and Aliens might be more fact than fiction. If you think that previous post and this one coming up now are all part of some gigantic, three-weeks-late, history-nut April Fool’s Day joke, you are wrong. These episodes really did air. You can catch them on re-runs.

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“Lincoln” Watch: Film to be Rated PG-13, and the Ribald Humor of Honest Abe?

“Lincoln” Watch is how we are going to keep tabs on anything and everything related to the upcoming film, as we wind down to its November 9 World Premiere, and November 16 wide release. How excited are you?

As expected, the MPAA handed down a PG-13 rating for Steven Spielberg’s Lincoln. To me, this is a very important part of the film’s potential success, because it would have affected the size of the possible viewing audience, and whether or not that film would be available in schools for use as a teaching tool after it gets released to DVD. The actual description of the rating reads as: “For an intense scene of war violence, some images of carnage and brief strong language”. So it appears that people are going to see a bit more war than they originally thought, and a realistic depiction at that. I also want to make mention that people on message boards seem to have been thrown into a tizzy at the fact that part of the rating is due to strong language. While most people are having fun with it (“Hey, maybe Mr. Lincoln drops the F-bomb!”), some are raising some serious points as to what the language could be. PG-13 movies are allowed one usage of the F-word to still retain their rating, but I highly, highly doubt that word will be used here. Someone else brought up the possibility of the N-word being used, which could fit in with the intense scenes of debating about the slavery issue. Still, I do not think I have seen a movie made after the late 1970’s that used that word and was not rated-R. Why are the tiny particulars of this so important? Well, to be honest, they’re really not, but it does give us something to talk about, like maybe whether or not some of Abraham Lincoln’s bawdy jokes will make it into the film.

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Civil War Journal: New Jersey’s Anti-Union Feelings a Microcosm of the Copperhead Movement

Part of the reason why I started “The Copperhead Chronicles”, many postings of which having to do with more of the politics than the actual upcoming Civil War film that led to its creation, and have posted articles like this, was to expand our knowledge on a subject that very rarely gets any mention, or taught in schools, if not for maybe a one sentence fragment in the biased history textbooks we make our young students slave over. This subject is a general anti-war, anti-Lincoln movement in the northern states, more specifically falling to a political group known as the Copperheads, which will have prominence in Ron Maxwell’s film, slated to begin production this month. Many in this ultra-politically correct world cannot fathom any northerner being against the so-called “Great Emancipator” or his little war, and unfortunately, many do not even get the chance to give it much thought. Proponents of the Copperheads have been buried and kept out of sight in the historical record. George Brinton McClellan, an eventual governor of New Jersey, the ill-fated, egotistical Union General who ran for president against Lincoln in 1864 as a Copperhead supported candidate, has been relegated to nothing more than a caricature of how to not conduct a military campaign. Meanwhile, another one of the movement’s leaders, Clement Vallandigham, has become just “that guy who accidentally shot himself to death while trying to prove a point in a courtroom in 1871”.

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Civil War: Coming to a Meme Near You

Who would have thought something so simple as a funny or awkward picture being placed under a couple of captions would have caused such a sensation? They are called “memes” for those of you hiding under the proverbial internet rock, and whether you know it or not, you have probably all seen one in some way, shape, or form. So I thought of trying to tie a meme in to history and the Civil War, and sure enough, when we want to make fun of someone who fought in the War Between the States, Union General George B. McClellan quickly comes to mind. You can file these under “Maniacal McClellan” if you do a search for these on QuickMeme, and if you want to, can add to the album with your own creativity. The first of these two will be there, while the third is only on my account because it does not share the same title. Enjoy!

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Civil War Journal: Who Were the Copperheads?

As we near closer to the production of Ron Maxwell’s Copperhead, I thought it best to explain just what exactly a Copperhead is, because this is going to be a film dealing with a portion of the Civil War that has never been tackled on film, and a nearly forgotten part of our American history in itself. We have all seen the battlefields and men dying, and even the politics behind it, and why certain things happened the way they did, but what of the anti-war movement in the north, yes, the north, of all places? There are many people out there, probably including some Civil War buffs themselves that did not even know a sentiment like that even existed. A “Copperhead” was the nickname of a group of Peace Democrats who lived up north that were in opposition to Republican President Abraham Lincoln and the war effort. Some felt that the southern states had a right to secede while others just wanted to force a truce with the rebellious states in order to end the most costly war in American history. In going against Lincoln, many northern patriots looked at them as traitors, and called them a derisive term for back then, snakes, specifically, Copperheads. At first, this terminology was seen as insulting, but then the Peace Democrats decided to flaunt their new nickname, many wearing copper pins or pennies sewn on to their jackets and clothing. For a more in-depth look at this movement, I will post a quote from the Historical Times Encyclopedia of the Civil War, by Patricia Faust:

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The FNYTSF Mailbag (2/9/12): A Gettysburg Glitch, and a Defense of McClellan

Every once in a while, I will get a question or comment from someone in an email. More often than not, it is something insignificant, like asking advice or requesting information, things along those lines. But in the last week or so, I have gotten two emails that I think deserve to be read by all, because to answer a question in one is something that could interest other readers, and the second one is a very well thought out statement regarding a much-hated Civil War general, who could probably use someone coming to his defense. Below are the emails:

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Interview with Author and Historian J. David Petruzzi

What exactly constitutes someone being considered an “expert”? There are many qualities you can contrive in order to define the word, but I am pretty sure, that at the end of the day, no matter what you think of, historian and author J. David Petruzzi would always be considered one when it comes to the American Civil War. He is the author of five books on the subject, including the freshly released New Gettysburg Campaign Handbook, which has been described as a must-read for diehards and newbies alike. With another trip to Gettysburg coming up in the next couple of weeks for me (have not yet decided on the dates), I think I am going to pick up a copy and take it along with me, because it seems to be the real deal according to the reviews.

All of Petruzzi’s hard work has led him to be selected as a historical adviser to the highly anticipated television miniseries To Appomattox (2013), which has been mentioned a few times on this blog. With many fans out there wanting to learn more about it, and his role, I asked him to shed some light on that, as well as his general opinion on various aspects of the Civil War and films made about it. He is also the author of other related works, including walking and driving tours of Gettysburg, One Continuous Fight, which details Lee’s retreat, and finally, Plenty of Blame to Go Around, which currently holds distinction as the only book dedicated entirely to Confederate cavalry General J.E.B Stuart’s famous, and controversial ride, from Virginia to Gettysburg. Mr. “Call Me J.D” Petruzzi also maintains a blog called “Hoofbeats and Cold Steel”, which I discovered after stumbling upon his review of the History Channel Gettysburg documentary from late May—both of us had choice words to say about that one, while his expertise took it even further! Below is our interview, which we conducted by email this afternoon:

GC:You are serving as a historical adviser to the upcoming mini-series To Appomattox. What exactly will your job entail?

JDP: First, I’m really humbled and honored to be a part of this, which I truly believe will be the media event of the Sesquicentennial.  It’s all been very exciting, because I’ve never been involved in something of this scope and magnitude.  My initial duties a few months back entailed two things: First, I was asked to read the entire script and offer historical accuracy suggestions.  As an aside, I was hooked after the first few pages.  From the very first scene in the first episode to the last scene of the last episode, it is an amazing story.  Writer Michael Frost Beckner is a life-long student of history (he also has ancestors who fought in the war) and his research went extremely deep, so the writing was already very accurate from a historian’s point of view.  I just caught some things here and there and helped Michael do a few rewrites and modifications.  Second, I assisted in assembling a world-class team of consultants, each of them with a particular specialty.  We have a uniform expert, a flag expert, personality experts, battle/campaign experts, and so forth.  We’re all experienced enough to know that some historical boo-boos will creep in here and there, but our team is comprised of the finest in their fields.  Viewers will have the confidence knowing that in each scene, within the context of the dramatic storytelling, every word uttered by every character – every item in the shot – every military action portrayed – will be historically accurate and plausible. My primary duty now is to bind the script of each episode, and begin making a collection of them with all of my historical notes and supporting material with them.  For example, each episode, page-wise, runs about 65-70 pages.  By the time I’m done, each of my episode binders will consist of about 200 or more pages.  I’ll also be collating the material of the consultants.  Therefore, as each and every scene is being blocked and prepared, we’ll have information at hand which gives us all of the historical accuracy details ready and available.  If there’s a flag or flags in a scene, we’ll have the right ones.  If Robert E. Lee, during the Mexican War, is in a scene, it will list what he looked like at the time, and exactly what his uniform should look like.  When U.S. Grant’s home, “Hardscrabble,” appears in an exterior shot, there’s a photograph of it. Michael and I speak just about every day, often several times a day.  He has me participate in just about everything having to do with the historical environment of the series, and that means assisting with things like enlisting corporations that provided consumer goods during the war to be sponsors and/or advertisers.  I’ve assisted in preparing printed presentations submitted to many entities having connections with the series.  It’s been great fun, and I enjoy helping any way I can. Once pre-production begins in the spring of next year, my full-time work begins.  From pre-production through the end of filming, I’ll be full-time on the set.  I very much anticipate that, and it’ll be a lot of hard, long work but a great deal of fun.  As Historical Adviser, I’ll be working personally with the actors and actresses, helping them understand their characters and hopefully in some small way to help them give a believable performance.  Michael has written into this story no caricatures, no icons up on pedestals – these historical figures are shown as exactly who I believe them to have been in real life… human, fallible, successful, and failures.  Angels didn’t sing when Lee walked into a room, but his men loved him and his enemies respected him.  Grant wasn’t a slosh who spent all his time on the floor passed out (though some would have you believe that).  He had only periodic struggles with alcohol, and that because he was often very lonely – he dearly loved and often ached for his wife and family – and his internal conflicts with his failures in life.  I think when folks are finished watching this series, they will come away feeling that they understand Grant and all of these men and women much more clearly. On the set I’ll also be coordinating, as the head of the Historical Department, the efforts of consultants and the crew assembling sets, reenactor/extra coordinators, battle scenes, etc.  Basically, any way that I can assist the producers, director, and all departments regarding history and accuracy.  When I don’t know an answer, I have to find it.  But as I mentioned earlier, Michael has written such a wonderful script that my job won’t be nearly as difficult as it otherwise could be. Once filming and editing is complete, I hope to continue to be involved as Michael’s ambitious list of “extras” are worked on.  We plan to include, in the resulting DVD boxed set that will be released, to have a “Behind the Scenes” documentary, mini historical documentaries, educational tools, etc.  We really want the entire To Appomattox experience to be just that – an experience.  We don’t want it to be over for the audience once the final episode begins.  Truly, it is then that the real learning and teaching begins.

GC: As it stands in pre-production, what are your hopes for what this series will accomplish?

JDP: I touched on that a bit in my previous answer – I  hope that viewers come to begin to understand just in what environment the war took place, and who these people were who fought it, planned it, and those who waited at home and worried.  Today, we look at a picture of U.S. Grant and see a black and white, detached-from-us-today photograph.  But what was he thinking at West Point?  What was his relationship with James Longstreet?  What were his struggles with civilian life failures, alcohol, and loneliness?  What was it like to be in a room with George McClellan before or during the Civil War at particular times?  How did all these main characters – Grant, Longstreet, Lee, William Sherman – and all of their mutual friends interact with each other over several decades?  What did they laugh about?  What did they worry over?  What did the war do to their relationships?  All of these and more are dramatic limbs among the dramatic spine of the series, which is Grant’s memoirs. I also hope that it will go a long way toward getting young people more involved and interested.  It is they who will carry on the work of understand the war properly after us.  We are, after all, within the Sesquicentennial and interest in everything about the war is at an all-time high.  If one child turns to a parent and says “Let’s go visit Gettysburg – or Shiloh – or Chickamauga” then it’ll have all been worth it. Further, to be quite blunt, I believe the series and the portrayal within will knock a few pedestals out from under some “iconic” figures – as it SHOULD be.  It’s not an intentional effort to make any of these historical figures any less than what they were… quite the opposite, in fact it is to portray them (most often in their very own words) as they really were.  They laughed, they cried, they stumbled, they were successful, they failed.  And many of them leashed Hell upon the earth and to each other.  An enormous percentage of Civil War soldiers died on battlefields utterly alone.  In the dirt.  In their own blood.  Perhaps clutching a picture of their wife or a child.  And their everlasting legacy on Earth was to be tossed into a trench, their identity never to be known again.  Many families didn’t have even a grave to mourn over.  Thousands of soldiers today still lie in parts unknown, all but forgotten.  Theirs and many like stories are another foundation of this series.

GC: What is your favorite Civil War movie of all-time, and why?

I love so many – The Horse Soldiers, The Outlaw Josey Wales, Glory, you name it.  But probably my favorite is Gettysburg, based on the Michael Shaara novel The Killer Angels.  Much of the dialogue is just plain silly, but it was Shaara’s interpretation of those characters and they’re simply wonderful.  Admittedly, the movie has set standards by which many reenactors and living historians now do their craft.  For instance, Longstreet never wore the huge hat (it should have been given its own zip code) that actor Tom Berenger wore in the movie.  Longstreet typically wore a regular kepi.  I’m told that while in the town of Gettysburg prior to filming, Berenger went into the store Dirty Billy’s Hats and asked for the biggest hat in the place.  Folks tried to tell Berenger that it would be inaccurate for Longstreet, but he wore it anyway.  Now, when you see one of the dozens of Longstreet portrayers around, they’re all wearing one of those huge hats for fear of not being “recognized.”  Many of them know better, but it is “Longstreet pop culture” to wear a big hat even though it’s utterly silly and inaccurate.  But if a Longstreet portrayer showed up at a reenactment wearing the correct kepi, no one would know who he was.  And that’s understandable.  But in our series, Longstreet wears the right clothes during the war, and none of the uniforms will look like they were just pulled off a Hollywood wardrobe rack. But all of that aside, every time the movie Gettysburg is on, I can’t take my eyes off it.  All of the actors are simply fabulous and I utterly enjoy watching it.  And if the pre-Pickett’s Charge bombardment and the Charge itself doesn’t touch your heart, then you need to check your pulse immediately.

GC: You recently just published another book, “The New Gettysburg Campaign Handbook”. Can you tell us a little bit about it?

JDP: Thanks for asking about that – folks who know me know that I never turn down an opportunity for shameless self-promotion!  In the Savas Beatie “Handbook” series, it’s a neat little companion to The Complete Gettysburg Guide that I also did with master mapmaker Steven Stanley.  It contains a lot of material that we couldn’t include in the Guide – things like Gettysburg Campaign facts, trivia, personalities, and even Medal of Honor awardees.  There’s a photographic study of the entire five weeks of the campaign.  There’s also a comprehensive Order of Battle that is the most accurate and up-to-date available.  Steve designed the entire book for our publisher, did all of the maps (he’s the best in the business bar none) and it’s simply gorgeous to look at.  Steve and I are working hard on many more books – such as a Maryland Campaign Guide and others – and I’m simply blessed to be partnering with him on these projects.  Between the two of us, Steve has more talent in his little finger than I’ll ever have, period.

GC: Back in May you wrote a scathing review of the History Channel documentary on Gettysburg (as did I). How is it possible, with so much information out there, for a major production to be so misinformed and inaccurate?

JDP: Oh yeah, I ripped that show and to think of the thing still makes me ill today.  It was that bad.  How something like that can air?  I think much of it has to do with marketing and trying to appeal to an audience which today is pretty inflicted with ADD.  And I also know that the writers and producers didn’t consult with the historical advisers and consultants beyond just their few minutes of speaking throughout the episode.  If they had – consulted with knowledgeable folks like Garry Adelman and such – most or all of the garbage that aired wouldn’t have seen the light of day.  It was filmed in South Africa literally on the cheap, so the terrain looked nothing like Gettysburg (unless Gettysburg is comprised mainly of acres and acres of sand and pine stands and I’ve somehow missed that).  If you read my review of the show, you’ll see that I point out an error committed just about every minute, and I actually didn’t include most of them.  The show was very, very hard to watch, and my wife kept running into the room thinking that I was screaming in physical pain rather than mental.  I’ve seen only a couple positive comments about that show, and universally everyone trashed it.  All the CGI and graphics done by the Scott Brothers studio – which was brought onto the project only at the very last second in order to do the CGI and attach their names to it – couldn’t save that show from making everyone’s eyes bleed.  The History channel can only do the right thing by burning all copies of that program and never allowing it to see the light of day ever again. It also bears mentioning that such historically deficient tripe places even more expectations on us and our series, and we plan to rise to it.  Glaring historical inaccuracies in personalities and the set will only distract viewers, and we don’t want that.  We want everyone – student and scholars of history to those who know very little about it – to enjoy it and learn from it.  The demographics of our expected audience are enormously broad.  Not only will Civil War folks watch this, but, for instance, fans of Rascal Flatts (who is doing the music score and acting in it), fans of NASCAR drivers participating, and fans of the particular actors and actresses.  We have a heavy responsiblity to each of them to do this right and honorably.

GC: Lastly, aside from Gettysburg which you have invested so much time in, which is your favorite battle? Who is your favorite general? And why?

JDP: I dearly love Antietam.  It’s so quiet and non-commercial there, a stark contract to many things about Gettysburg.  Watching the sun set from Little Round Top is always awesome, but watch the sun come UP from the area of Burnside’s Bridge, and now you’re talking my language.  The area of the Cornfield there always gives me goosebumps, and I can’t help when walking the length of the Sunken Road (Bloody Lane) and just nearly tearing up as I look around an envision all those dead young boys of both sides that were in and around that.  Because of my interest in the cavalry, another favorite field is Brandy Station.  For us “Cav” folks, Brandy is the Motherload.  There, the cavalry of both sides brought “Thunder on the Plains.”  When I’m standing up on Buford’s Knoll or near Fleetwood Heights, nothing else in the world matters at that moment. If you asked others about my favorite general, they’d all probably assume John Buford.  And they’re probably right.  I admire the guy.  Soft-spoken and reserved, but he’d dangle you from the nearest locust tree if he suspected you just didn’t smell right.  I’d have loved to have been on a battlefield with him.  I also like Winfield Hancock.  Guy always had a clean white shirt on no matter what, and he could swear a blue streak said to have made flower wilt at his feet, and if any ladies had been present they’d have fainted dead away.  His men felt invincible near him, and that fella would have been one to have shared a wee nip with.  I bet he had stories. I also like to study the cads, the scoundrels.  Speaking of having a whiskey with someone, Dan Sickles would probably be the ultimate party dude.  And a fellow like Judson Kilpatrick fascinates me.  Snarky, shrill, but hell-bent-for-leather.  It’s why Sherman wound him up and turned him lose.  Kilpatrick had a habit of getting just about everyone and everything around him send to Providence, but his personal traits are both confusing and fascinating.  Truly, I like ’em all.  Everytime I discover an officer or common soldier with an interesting story, I just have to know more.  That’s what keeps this so exciting and endless – there are quite literally millions of stories out there, and millions more to find. Among those millions of stories, our To Appomattox series will bring some of them to people’s living rooms – and hopefully their hearts.  It is there that the seed of curiosity is born.

I would like to thank J.D for an absolutely enlightening interview! Reading and digesting this really makes me excited for 2013, when we will see this television series released. I had been trying to keep up with it, but with different updates being posted daily from their Facebook Page, I figured one day, I would just sit down and browse through all of it. This interview has given me just-cause to do that, because I don’t think I have felt this much excitement since 2003, when as a 12 year old, I waited with anticipation for my favorite Civil War film, Gods and Generals, to reach theaters. I cannot promise to provide as much coverage for To Appomattox as I did with G & G, but this is as good a place as any to start. Many thanks again to J. David for taking the time to type all of this out and send it over—this could have been a book in itself!